Daft Punk - One More Time (Aerodynamic Remix) [from Coachella set]
A.W.

Acid Jacks - Mookie


Last night Ottawa was graced by A Band of Owls, one of Canada's young folk acts with loads of promise. The band was pared down for the show, playing without drummer Aaron Mangle. Frontwoman and songwriter Heather Kelday was the star of the show, displaying some serious chops on guitar, banjo, and mandolin to accompany her soulful songs about embracing the natural world. Paul Cressman filled out the mostly slow jams with some precise work on the upright electric bass, though his mid-song comedy was wrist-slicingly painful.

Miracle Fortress is Van Pelt's unveiling party (*though it came out late May, I've been on the road for a while, missing just about every key release of the summer). Five Roses is the masterpiece, and is without question a demonstration of the individual talent he channels subtly into Think About Life. That band's self-titled debut was a summer album for all the writers here at BTA. It reflected the freedom and irresponsibility of the humid months; it was raw, loud, and explosive. Five Roses is a completely different aesthetic, but a summer album just the same. While an early Miracle Fortress song 'Eschatology' re-created the Think About Life style with a little less tumult, the songs on the debut carve out a whole new sound. Like with Panda Bear, the Brian Wilson comparisons have been identified by almost everybody who has gotten hold of this album. The songs on Five Roses are laden with subdued vocal melodies that gradually build towards bright conclusions, all the while sprinkling keyboard and peppery percussion in the gaps to achieve those Wilson-like textures. This is most evident on 'Have You Seen In Your Dreams', where hand claps work alongside vocal echo effects. 'Maybe Lately' develops from start to finish in a very similar way. The standout track of the album is 'Hold Your Secrets To Your Heart', showcasing Van Pelt's strongest singing and a softly pulsing rhythm that hypnotically coasts to the song's end. The first time I heard it I was on the other side of the country in British Columbia, and the astonishment I was feeling from the mountains and natural beauty of the landscape was encompassed perfectly in this one song. I vividly remember making that connection, and not many songs are capable of inducing such peace. It will be an extremely good second half of '07 if this doesn't make it into the top 10.



Most of us at Bridging the Atlantic remember the days of learning how to play guitar to Silverchair tracks like '
If you’re looking to for an homage to Silverchair’s yesteryear, you won’t find it here. The tracks on Young Modern are string and piano-laden which leaves little room for the rhythmic guitar that we admired. This is clearly a continuation of the likes of Neon Ballroom and Diorama.
In terms of evolution, I can say that as a band Silverchair has come a long way. For better or worse I’m not sure, but whereever they are headed I’m not likely to follow. The single 'Straight Lines' shows some hope of being the union of Silverchair and Daniel Johns’ The Disassociatives, but to no avail. Young Modern’s tracks are disjointed, lack consistency and 80% end with the all-annoying fade-out. They spent months in the studio writing, but forgot the endings…what’s the deal?
What Young Modern really lacks is a clear purpose. There were obviously too many people involved in the making of this album. You only have to check out the credits to see where this album went wrong. Fade out…
Young Modern can be heard in its entirety on the band’s website.
- mookie b. (Marc Bertrand), Kaohsiung Taiwan


























Another great 2006 release, Hot Chip's The Warning made its way into more than a few 'best of' lists last year, and with good reason. On an album of consistently strong tracks, 'And I Was A Boy From School' was a standout; more of an alternate version than a remix, the gentle organic instrumentation of the acoustic version allows the (excellent) lyrics to be more easily heard and appreciated.
Brighton outfit Fijiya and Miyagi have released the video for their single 'Ankle Injuries' from recent album Transparent Things and it's a looker. Catch them this summer as they do the festival circuit and make stops in Montreal and Toronto July 10th and 11th respectively.
-Andrew M




