Sunday, September 09, 2007

Spoon: Live in Victoria



Last night Spoon performed to a sold out audience at the Sugar Nightclub in Victoria BC. By the time they took the stage, the crowd was energized and thirsty for the musical excellence that was about to be consumed. This was thanks to openers Black Joe Lewis. They are without a doubt one of the best modern blues bands I have seen to date. And Lewis' voice, with such strength and delivery, is comparable to the likes of B.B King or James Brown. His accompanying band flaunted a three piece horn section and keyboard to go along with the regular three piece. It didn't take long for the crowd to start dancing and moving to these guys.

Spoon put on a stellar performance. What more can I say. Much of the set list came from the recently released Ga Ga Ga Ga album, along with the best of Gimme Fiction and other old favorites. The best part of the show though was when the horn section from Lewis' band joined them on stage to perform songs like 'The Underdog'. The crowd was hungry for more after this great set and welcomed them for a great encore. This was by far one of my favorite live experiences of this year. Pick up Ga Ga Ga Ga if you haven't already and see them live asap.

- Matty B .
Here are a few quick clips from the show:





Spoon - The Underdog

Remix Sunday - Feist Attack!

Here I present three top notch remixes of some already fantastic Feist tunes from her not so recent release, The Reminder (if you didn't already know it came out in May...). Needless to say, it got a lot of play time this past summer and these mixes worked overtime. So if you didn't hear them grab them post haste.

Feist - 1234 (Van She Technologic Remix) [zShare]

Word.
-A.W.

Saturday, September 08, 2007

New Kanye West Album Just Days Away


Graduation, Kanye West's third effort, is to be released in the UK on Monday and the US the following day. The album has already garnered all kinds of critical praise from Rolling Stone, The Guardian, and AllHipHop.com and the first two singles, 'Can't Tell Me Nothing' and 'Stronger' have both proved commercial successes. The Chris Martin-backed 'Homecoming' is to be the third single.

Although I'm not the biggest Kanye West fan in the world, I did enjoy The College Dropout and Late Registration and it looks like Graduation will have a few gems to rub shoulders with classic Kanye cuts like 'Jesus Walks', 'School Spirit', and 'Gold Digger'. Grab the tracks below and judge for yourself; you can also stream the whole album here thanks to Power 105.1.

- a.m.p.m.

Kanye West - Flashing Lights
Kanye West - Homecoming
Kanye West - Good Life


bonus:
Kanye West - Young Folks (freestyle)
Kanye West - Diamonds (Ratatat remix)

Friday, September 07, 2007

Justin vs Justice

A few days ago the Limewire blog posted an interesting interview with Anthony Volodkin, creator of the ubiquitous Hype Machine. The Machine has really changed the way we music bloggers interact with each other and you, our wonderful readers, not to mention made it so much easier to find amazing new music.
During the interview Anthony mentions his unlikely fascination with Justice's remix of Justin Timberlake's 'Lovestoned'. I too found this track through the Hype Machine, and it's definitely worth a listen.

- a.m.p.m.

Justin Timberlake - Lovestoned (Justice remix) [YSI]

Thursday, September 06, 2007

Freebie: Editors @ MTV Live - Toronto

For any Torontonians reading - bookmark September 10th on your handheld reminder device. Editors, fresh off their V-Fest appearance on Toronto Island, will be doing a free appearance at MTV Live at Yonge & Bloor.

I checked out one of these performances when Bloc Party came around last. What to expect: a really lousy 10 minute interview session, followed by 5 or 6 songs that sound actually really great. And hey, the price is right, so if you're in the GTA, it might be worth calling the 1-888 number or email and getting yourself on the g-list.

And to celebrate, here are a couple Editors tunes that they didn't write:

Editors - Feel Good Inc. (Gorillaz)
Editors - Orange Crush (REM)


- bbbykmbrly.

Wednesday, September 05, 2007

Fantastic Fanatic


This track from Cannonball Jane, which I recently stumbled upon thanks to the ever-informative Fanatic, sounds like a cross between The Go! Team and Amy Winehouse (in a good way). Love that big-band backing track.

- a.m.p.m.

Immaculate Machine @ Logan's Pub


A few days ago I was finally able to catch Immaculate Machine at Logan's Pub in Victoria, BC. Also on the bill were The Paper Cranes, who although I've only known through a pretty bumpin T.I mix, put on a great set. And there was some random trio of rappers, who were not only misplaced by their style, but also due to their lack of talent. It was like the hefty jolly dudes from your high school homeroom put together a rap at lunch for their presentation. Anyway, once Immaculate Machine finally took the stage, although very late, all was forgiven as they flawlessly performed songs mostly from their newly released album Fables, as well as a few favorites from the last album including 'No Such Thing as the Future'.

The band had been back in town for the week as they had also participated in the Covers for a Cause show in which all the bands participating performed covers for their whole set. So in light of this event, they decided to perform an entertaining cover of Britney Spears' 'Toxic'.

Fables is definitely a favorite of 2007; be sure to check it out. 'Dear Confessor' is one of the strongest tracks on this overall great album.

- Matty B.

Immaculate Machine - Dear Confessor

Tuesday, September 04, 2007

Peacebone


My recent favourite song from Animal Collective's Strawberry Jam now has a new creep-tacular video. What else would you expect from the Collective, really?




Strawberry Jam is due out Sept 10/11 depending on where you live, and has already been creating all kinds of buzz since it was leaked online back on the 4th of July. Personally, I loved Tung Songs and have no reservations in giving Jam a preliminary two thumbs up.
The band is currently on a massive North American tour, and according to their Myspace page will be stopping in "Ottowa" on September 7th and Toronto the following day. If any of you end up catching the Ottawa show at the Bronson Centre, I'd be interested to hear how it played out.

- a.m.p.m.

Animal Collective - Peacebone

Monday, September 03, 2007

Shut Up I Was Dreaming


When I first heard of Spencer Krug's other band (not Wolf Parade, Frog Eyes or superstar project Swan Lake), Sunset Rubdown, I merely expected it fill the gap until Wolf Parade's next release - however, that was almost two years ago. Sunset Rubdown released one of my favourite albums of 2006 with Shut Up I Am Dreaming and are poised to do it again with Random Spirit Lover, this October. Their sound is a touch more subdued but at the same time heaps more manic than Wolf Parade, accredited largely to Krug's contrasting songwriting and singing styles. I've always thought that a lot of Wolf Parade's rocking out came in the songs by other singer, Dan Boeckner - who shows his other side musically through minimalism in the Handsome Furs.

Despite great live reviews, I've yet to see Sunset Rubdown on stage, however reports show them touring this October with a stop in Victoria, BC - my new home as of the middle of September - so I recommend all to check them out. Random Spirit Lover is out October 9 on Jagjaguwar. Here are two of my favourite tracks off the recently leaked album - but it's unquestionably buy-worthy in this critic's opinion. These show off both the urgency and melancholy moods Krug has succeeded in creating with this band. Enjoy.

Sunset Rubdown - The Mending of the Gown
Sunset Rubdown - For The Pier (And Dead Shimmering)

-A.W.

Friday, August 31, 2007

New Band of Horses Album/Songs


When I saw Band of Horses back in May at the Scala here in London the boys tested out a few songs from their soon to be released new album. At that time, no one in the venue knew the upcoming album name or song titles, but the audience's reception of the new material was enthusiastic, to say the least.

Turns out that the one new song that got everyone talking after the gig was 'Is There a Ghost'. This super-catchy little ditty was released on the band's myspace a few days ago and it will be the first track (and maybe the first single) on the new album.

'Ode to LRC' was also extremely well-received; check out this clip from a show in June (ignore the video - the sound quality is decent):


This new song is a bit more upbeat than the average BoH tune, and I found myself humming if for days afterwards:


The Horses declared that recording and production for the new album had wrapped at the end of June, and more recently revealed its title (Cease to Begin), cover art (see above), release date (October 9th) and tracklist:
01 Is There a Ghost
02 Ode to LRC
03 No One's Gonna Love You
04 Detlef Schrempf
05 The General Specific
06 Lamb on the Lam (in the city)
07 Islands on the Coast
08 Marry Song
09 Cigarettes, Wedding Bands
10 Window Blues

- a.m.p.m.

Band of Horses - Is There a Ghost

Rising to the Challenge


The first single from The New Pornographers' recently released Challengers is so good it bears posting again; I've thrown in a few other solid tracks from the new album to sweeten the deal.

The new album isn't as instantly catchy as 2005 release Twin Cinema - this one's a grower and somewhat understated. It's much more subtle, and aside from single 'My Rights, Versus Yours', offers little of the in-your-face hooks that defined previous efforts from the band. However, Challengers' songs blossom and grow with each listen. The album took me a while to get into, but now I can't get it out of my head.

- a.m.p.m.

Thursday, August 30, 2007

from one modern day icon to the next.

part of my new job is to peruse music blogs. it's pretty rad.

i found this little gem from i guess i'm floating out of nowhere, rhode island. the blog itself is quickly becoming one of my favourites.

the track is from a BBC Radio 1 live studio session august 16th with the foo fighters. They pulled out a very respectable rendition of arcade fire's "keep the car running", which left the host of the show excreting lubrication in excessive amounts.

the foo's have a new record, echoes, silence, patience & grace, due out september 25th. the first single, "the pretender", is available for download below.

Foo Fighters - Keep the Car Running (Arcade Fire cover) (YSI)
Foo Fighters - the Pretender (YSI)

- bbbykmbrly.

Tokyo Police Club; friends of You Say Party! We Say Die!

I don't know how I didn't hear about this before today, but...

Tokyo Police Club joined by YSP!WSD! covering an old personal favourite, the Rentals' "Friends of P".

The original music video of "Friends of P" is posted below. Listening to this song more than 10 years later, I think it's easy to hypothesize why weezer's creative output shit the bed the second Matt Sharp left to focus on the Rentals full-time.


Also on the topic - Youtube just keeps hitting them out of the proverbial park. Check out this one - the Rentals joined by Damon Albarn (circa blur's hay day), performing the track on some random French talk show.


- bbbykmbrly.


Reading Videos Available Online


For those of you interested in seeing just what went on at Reading this year, the BBC is offering video coverage from the majority of the big-name acts online here. Entire sets from Klaxons, Albert Hammond Jr, Interpol, CSS, Arcade Fire, Gossip, Bloc Party, LCD Soundsystem, Patrick Wolf and many others are available, as are individual acoustic tracks including the Hold Steady's rollicking 'Chips Ahoy' and Peter Bjorn and John's iconic 'Young Folks'.

You can also check out photos of the festival site and crowds, 360 degree pictures and crowd reaction video interviews here.

Hurry, though; they're only available for viewing online until September 3rd.

- a.m.p.m.

Wednesday, August 29, 2007

Spiral Spinning Round


Considering Dan Snaith's previous work as Manitoba and under current moniker Caribou, his new album Andorra feels logical in terms of musical progression, albeit while sounding more free-spirited than ever before. I thought The Milk of Human Kindness was a great album because Snaith balanced hip hop influenced rhythms ("Lord Leopard") and progressive Beck-like sounds ("Yeti"), while constantly reverting to psych-tinged 60's production and guitar ("Bees"). The percussive elements would shuffle, but the mood created on "Bees" was the constant that felt like a spine great ideas would stem from and branch out. The variety is less apparent on Andorra, but it seems as though he used that song as a jumping off point for this new effort.

The instrumentation on Andorra shifts pretty effortlessly between classic sounding string parts and digital melodies provided by keys and synths. The product could be placed somewhere between Sufjan Stevens and Miracle Fortress in terms of style, meaning that layers are at the forefront though the songs themselves are earnest and straightforward. There are a few electronic departures, the most obvious being the last two songs "Irene" and "Niobe". However, the prevalent sound is brightly coloured pop relying on flutes, bells, chimes, and various vocal effects. That sensibility is the selling point, from opener and single "Melody Day" to the fluttering "Eli". There comes a point in the latter when a strong saxophone part creeps into the wall of sound, making the song burst at its seams. Where Milk might have suddenly changed direction on a song like this, Andorra pursues its target, building steadily to a peak never before reached on a Caribou record.

Andorra's one of the stronger Canadian releases of '07, pick it up if you get a chance.

Caribou - Melody Day
Caribou - Eli

- brad

Foals Gold


I'd heard a couple of tracks from British band Foals but wasn't sure what to expect when a friend recommended I check out their set at Reading on Saturday afternoon. Well, I was mighty impressed. Tagged as 'dance-punk', the Oxford five-piece bring to mind the Rapture and Goose mixed with Hot Hot Heat (back when they were good). The band's Mathletics single dropped a couple of weeks ago and their first full-length album is due to be released in the UK this fall on Transgressive Records. All signs point to awesome.


- a.m.p.m.

Tuesday, August 28, 2007

Join the Club


What a weekend. This was Reading at its best: perfect weather, amazing bands, and more epic performances than you can shake a stick at. Highlights included Arcade Fire playing into a dazzling sunset on the main stage Saturday night, Crystal Castles drawing a crowd approximately twice the capacity of the Dance Arena, and the CSS/LCD Soundsystem/Klaxons triple play festival closer they blew everyone's fucking minds. And as would be expected with any music festival of this calibre, I discovered a whole bunch of new favourite bands that I didn't even know existed. I'll be sure to share them with you in the weeks to come, but for now it's time to talk about the band that opened the festival, and opened my eyes to how many amazing British bands are coming out of the woodwork this year.

I'd heard of Bombay Bicycle Club before - hell, the restaurant they're named after is just down the road from me and they've been legends in Camden for almost a year - but seeing them live sealed the deal. I could go on and on about these guys, but it's best if you just go here and here and check out the songs below.

Bombay Bicycle Club - Open House
Bombay Bicycle Club - Sixteen
Bombay Bicycle Club - Cancel On Me

- a.m.p.m.

Thursday, August 23, 2007

Hustlin'


Well kids, I'm off to Reading tonight to take in as many amazing bands as possible over the next few days. Upon my return next week I'll let y'all know how the shows I've been anticipating all summer panned out, and will likely have a list of hot new groups to share as well.
The festival's final lineup is absolutely unreal - check it out here.

For now, I'll leave you with a couple tracks and a video from Ghosthustler.

Ghosthustler - Parking Lot Nights
Ghosthustler - Busy Busy Busy

- a.m.p.m.



Wednesday, August 22, 2007

"You don't need tricks, you don't need treats, you don't need Halloween"


Last night, I was finally able to catch Vancouver based Mother Mother at a free open air show in the heart of downtown Victoria. They offered their talents for the kick-off party of the Victoria Fringe Festival, which celebrates music, theatre, and art. For those unfamiliar with the group, the band is essentially a unique three piece, which I dare to describe as indie-folk rock, whose sound is brought to its fullest by the vocals and harmonics of the two female members, Molly Guldemond, sister to guitarist Ryan, and Debra-Jean Creelman. Their performance in no way fell short of what we have come to expect from other members of the Last Gang Records family. Beginning with Touch Up's opening track, 'Dirty Town', they quickly moved into some of the best material from their debut album: 'Polynesia' and 'Verbatim'. It was clear that with the immediate release of their catchiest and most well known tracks to the audience, the band had something up their sleeve. This, of course, consisted of a slew of new material. Songs like 'Ghostin' are some of the best I have yet heard from this band and demonstrate an evolution in their original sound as they build more upon the particular bits of goodness that worked for them in their previous album. Mother Mother's follow-up album, which seems imminent soon after their current touring schedule, is something I will definitely be looking forward to. And me without my camera! Sorry gang...my bad.

Matty B.

Mother Mother - Polynesia
Mother Mother - Verbatim
Mother Mother - Legs Away
Mother Mother - Dirty Town

Tuesday, August 21, 2007

Devendra Banhart Wants To Be A Seahorse


And who wouldn't, really? Swimming around all day, looking like a cross between a horse and a crustacean, eating whatever it is that seahorses eat, all without a care in the world.
'Seahorse', Devendra Banhart's first release from upcoming new album Smokey Rolls Down Thunder Canyon, is actually several compositions rolled into one, all of them good. Comparisons to Dave Brubeck are astute; a gentle folk intro builds up to a shuffling jazz beat, overlapping wistful vocals working in and out and ultimately giving way to an epic Zepplinesque rock-out at the 5:20 mark. Despite all this, Banhart himself tags his new sound as "space reggae". Mmm-kay. Here's hoping the rest of the album is this glorious.

Saturday, August 18, 2007

Remix Sunday - The Enemy vs. The Teenagers


For this week's Remix Sunday, UK indie pop kids The Enemy get a minor touch-up from The Teenagers. The Teenagers are remixers extra-ordinaire; former Parisiens now residing here in London, the XL trio are all over material from Air, Simian Mobile Disco, Black Ghosts, New Young Pony Club and Goodbooks, among others. Check out their remixes page here.

- a.m.p.m.

Take Me To The Riot


It's easy to be pround of the Canadian indie music scene when groups like Crystal Castles, Feist, Wolf Parade, the New Pornographers and Tokyo Police Club are busy cranking out amazing new albums like it ain't no thing. And it won't be long until Montreal darlings Stars will be prime candidates for inclusion in the Canuck indie rock hall of fame as their upcoming release In Our Bedroom After The War drops on September 25th.

"But I can't wait until September 25th", you whine. "I want it now." No problem. Stars have opted to beat the pre-release illegal filesharing scramble in favour of making their album available by digital download just days after they wrapped up production. I picked the album up way back on July 10th, and you can grab it now from arts & crafts.

For the time being, check out these two glorious tracks:
Stars - The Night Starts Here

- a.m.p.m.

Friday, August 17, 2007

Spoon's Greatest Hits


A few weeks ago I learned that Spoon's only show here in London (on August 16th) was sold out. Apparently it had sold out in roughly 3.7 seconds and I'd missed the chance to see one of my favourite bands playing tracks from one of my favourite albums of 2007. So imagine my extreme joy when it was subsequently announced that the band had agreed to a second London gig at The Borderline the following night. Needless to say, I'll be attending that second sold out show tonight. In honour of this good fortune I present to you Spoon's Greatest Hits.

Spoon - Lines in the Suit
Spoon - Don't Let It Get You Down
Spoon - I Turn My Camera On
Spoon - I Summon You
Spoon - The Underdog

Spoon - Tasty Fish

Grab a couple more Ga Ga Ga Ga tracks here.

-a.m.p.m.

Thursday, August 16, 2007

Human After All?



Working at a summer camp hasn't allowed me a great deal of time to write about or seek out much new music. However, last week my girlfriend and I got a couple days off to go to Montreal to see Daft Punk. I'd read all about it on the internet ever since Coachella 2006, but I can now fully support the hype and state that their live set is indeed mindblowing - both visually and sonically. Despite the fact that their set was essentially the same as the Coachella bootleg, nothing could stop the crowd from going bat shit crazy over two guys in robot costumes and an incredible light show. I don't think my words would do the creativity and synchronization of the lights and music any justice; that is something that must be witnessed. The red Tron suits for the encore were unreal.

The Rapture opened the show with a healthy collection of old and new, and according to the bill Kavinsky and SebastiAn were there but all I noticed was a mixtape of good tunes being played in between The Rapture and Daft Punk. We didn't make it to the 'official afterparty' but the show will be one to remember. Enjoy some blurry photos and a video, and check out this One More Time/Aerodynamic remix from Coachella (listen to the crowd as Aerodynamic's unmistakable guitar solo is mixed in):

Daft Punk - One More Time (Aerodynamic Remix) [from Coachella set]


- Stay fly

A.W.

Wednesday, August 15, 2007

Do It For The Mookie


Bridging the Atlantic favourites Discobelle.net dropped an exclusive jam from Australians Acid Jacks a couple days ago called 'Mookie', tagging it as "one scary electrodriven monster of a track". A very apt description indeed.

Acid Jacks - Mookie


- a.m.p.m.

Tuesday, August 14, 2007

Scot Rocks


Why the hiatus, you ask? A couple of weekends ago I got out of London and embarked on an ambitious road trip around southern and central Scotland. Although I've been to Scotland (and Edinburgh) a few times already the scenery, people, and culture of this truly amazing country never cease to amaze me. And for a small place (under 80,000 square kilometres and just over 5 million people) it sure cranks out a ton of good music.
Here are some of the songs that made up my Scotland Summer Soundtrack while speeding through the idyllic countryside, drinking pints in village pubs, exploring abandoned castles and taking in the Edinburgh festival:

Mylo - Otto's Journey
Beta Band - Needles in My Eyes
Mogwai - Friend of the Night
Camera Obscura - Country Mile
-a.m.p.m.

Thursday, August 02, 2007

Drop the Plot


A while back BTA bestowed praise on Canadian indie pop/rock superhero Gregory Pepper and promised y'all a few of his new tracks as they became available, and it's high time we followed through with some mp3s. So here they are. Hooktastic 'Drop The Plot' has been bouncing around inside my head almost non-stop for weeks now and '7ths & 3rds' also refuses to vacate my cerebellum. Remember when Weezer used to be good? Well, '7ths & 3rds' is like that, but better. And hey, these tracks aren't even album cuts.

Mr. Pepper's 2006/2007 albums Gregory Pepper & His Problems and Gregory Pepper Spends an Evening at Home can be streamed in their entirety on his myspace page as well as through his new neat-o website.

- a.m.p.m.

Tuesday, July 31, 2007

Band of Horses, Eat Your Heart Out

Last night Ottawa was graced by A Band of Owls, one of Canada's young folk acts with loads of promise. The band was pared down for the show, playing without drummer Aaron Mangle. Frontwoman and songwriter Heather Kelday was the star of the show, displaying some serious chops on guitar, banjo, and mandolin to accompany her soulful songs about embracing the natural world. Paul Cressman filled out the mostly slow jams with some precise work on the upright electric bass, though his mid-song comedy was wrist-slicingly painful.

If you feel like a break from the busyness of whatever it is you're doing at the moment, A Band of Owls' mellow fusion of folk, roots, blues, and jazz is certain to provide some relief.

Cheers to my friend Ken, who manages the band and gave the heads up on the show.

A Band of Owls - Rushing Love Song


- brad

Monday, July 30, 2007

Rainbows and Stars


As I was zipping around Belgium on high speed trains this past weekend, I threw the old iPod on random and an extremely fitting track came up. At that moment, I realised that aside from the Chemical Brothers' superb 'Star Guitar' from days of yore, 'Rainbow Man' by Ed Banger boss Busy P has to be one of the best candidates for European train journey soundtracks.

- a.m.p.m.

Busy P - Rainbow Man

Sunday, July 29, 2007

Fortress of Solitude


The first time I saw Think About Life perform it was a sweaty, dingy affair in an Ottawa basement (59 Argyle!), complete with good friends, genuine music lovers, and pizza slices on the house. During their performance and immediately following the show, I noticed that the personality of guitarist Graham Van Pelt was visibly different than that of his fellow members. He did less of the talking and lacked Martin Cesar's swagger as well as the cathartic energy of Matt Shane. Still, one knew that being a part of this band, an off-the-wall, unconventionally spastic electro-rock outfit, must have meant that Van Pelt possessed some unseen quality comparably awesome to the more visible traits exhibited by the dude screaming and the soaking-wet, skinny drummer.

Miracle Fortress is Van Pelt's unveiling party (*though it came out late May, I've been on the road for a while, missing just about every key release of the summer). Five Roses is the masterpiece, and is without question a demonstration of the individual talent he channels subtly into Think About Life. That band's self-titled debut was a summer album for all the writers here at BTA. It reflected the freedom and irresponsibility of the humid months; it was raw, loud, and explosive. Five Roses is a completely different aesthetic, but a summer album just the same. While an early Miracle Fortress song 'Eschatology' re-created the Think About Life style with a little less tumult, the songs on the debut carve out a whole new sound. Like with Panda Bear, the Brian Wilson comparisons have been identified by almost everybody who has gotten hold of this album. The songs on Five Roses are laden with subdued vocal melodies that gradually build towards bright conclusions, all the while sprinkling keyboard and peppery percussion in the gaps to achieve those Wilson-like textures. This is most evident on 'Have You Seen In Your Dreams', where hand claps work alongside vocal echo effects. 'Maybe Lately' develops from start to finish in a very similar way. The standout track of the album is 'Hold Your Secrets To Your Heart', showcasing Van Pelt's strongest singing and a softly pulsing rhythm that hypnotically coasts to the song's end. The first time I heard it I was on the other side of the country in British Columbia, and the astonishment I was feeling from the mountains and natural beauty of the landscape was encompassed perfectly in this one song. I vividly remember making that connection, and not many songs are capable of inducing such peace. It will be an extremely good second half of '07 if this doesn't make it into the top 10.

Miracle Fortress - Have You Seen In Your Dreams (YSI)
Miracle Fortress - Maybe Lately (YSI)
Miracle Fortress - Hold Your Secrets To Your Heart (YSI)

- brad

Saturday, July 28, 2007

Edit, Copy, Paste


DJ Copy started to get noticed when he dropped his Diva Mixtape Vol. 1, where he remixed the R & B stylings from the likes of Destiny's Child, TLC, and Mariah Carey into tracks that sound like they were produced on that Commodore 64 in your basement. Next, he performed similar remixes with some of the most notable tracks from Bone Thugs N Harmony's East 1999 album, and I couldn't have been more excited. I was reliving the days when I would constantly play this cassette on the bus ride to school, but now with an electro dance rock spin on it. Now, with the release of his full length album Hair Guitar, DJ Copy demonstrates that his knack for making danceable 8-bit remixes carries over amazingly well to his own solo creations. The result is just over 40 mins. of some of the best hip-hop electro beats you've heard. One of the great things about Copy is that he keeps things relativley simple. The tracks don't get lost in multiple layers or overdone effects. Copy takes his beat, a few lines that work, and leaves everything else. Hair Guitar has been compared to the likes of Ratatat, M83, and Justice, for his ability to make tracks that you'll want to bob your head to over and over again.
Be sure to order your copy of Hair Guitar at Audio Dregs, and if you're quick enough, you might still get that Bone Thugs N Copy CD free with your order.

- Matty B.

DJ Copy - This is Promotional (YSI)
DJ Copy - See you around maybe (YSI)
Bone Thugs N Harmony - Can't Give it up (DJ Copy Remix) (YSI)

Friday, July 27, 2007

pony down! $9.50


I feel the need to preface this post by clarifying that no, I do not live at the Horseshoe nor am I generally there more than once every week or two. But alas, another review (third in a row) from the 'shoe.

Montreal's femme-foursome Pony Up! galloped into town last night, bringing along Toronto indie-pop tarts the Bicycles for a stop at the orseshoe. And, though I had never seen either act in the flesh, having sampled both of Pony Up!'s releases, as well as cuts from the Bicycles' 2006 album the Good, the Bad and the Cuddly, I felt justified in expecting nothing less than sugary pop so sweet a trip to the dentist may ensue.

I was actually quite surprised by the one-third capacity of the small-ish room, especially with a very agreeable $9.50 price tag. But, even after watching the Bicycles fumble through an entire set in what sounded like their first show in a decade, few new faces had shown up.

Admittedly, I think I remember mention of a last-minute lineup change which could have contributed to their lack of cohesion. But ultimately, the Bicycles' sound was sloppy and incomplete, and not even close to as fun as the album. Their struggle was no more apparent than during Australia, the band's most-requested song, where merely the completion of the song was put in jeopardy on more than one occasion through miscues and a missing musician or two. The bubblegum fun was ultimately lost in the mix, and the set fell flat on its face.

By the time the Pony Up! express took the stage, the energy level in the room compared more to nap time at High Park Villa's retirement residence than to a pop-rock concert. The girls attempted nothing to rejuvenate the handful of onlookers, but rather cruised through the majority of the tracks on 2006's Make Love to the Judges with Your Eyes with limited enthusiasm.

Despite singer/keyboardist Laura Willis' claim that Toronto is the band's favourite city to play, their seeming lack of interest wore off on the majority of the crowd who, with the exception of a handful of girls adorned in matching zebra and leopard-print dresses, seemed ready to call it a night only a handful of songs from the outset.

But, while the highlights were few, they weren't entirely absent: Willis finally let herself loose with two songs left, letting her small voice rip during the yet-to-be-released 'Wet', which builds from a simplistic and mundane ballad into borderline epic. That seemed to wake up the crowd and the rest of her band, who wrapped up their otherwise lackluster performance with a strong rendition of 'The Truth About Cats and Dogs (is that They Die)', arguably their most popular song, in which co-lead Sarah Moundroukas followed Willis' lead by actually having some fun.

Regrettably, the batteries in my camera tapped out before Pony Up! even hit the stage, but below are some amateur attempts at band photography, starring the Bicycles (coming soon).


- bobby k.

Pony Up! w/ the Bicycles, Horseshoe Tavern, Toronto
Thursday, July 26th, 2007

Pony Up! - The Truth About Cats and Dogs (is that they die) (YSI)
Pony Up! - Wet (YSI)
The Bicycles - Australia (YSI)
The Bicycles - B-B-Bicycles (YSI)

Thursday, July 26, 2007

Just OK


Their page has the band origins listed as such:

Dave to Tim and Chris: Hey guys, wanna start up a shitty alt-country indie type band?
Chris and Tim: Hmm...ok.

Hey, good enough for me. Ottawa's unsigned Allrights open for Victoria natives Immaculate Machine tomorrow night in the nation's capital, a spot they surely earned based on their confidence and self-assured attitude toward making music. When 'Bastard' drops at Zaphod's I imagine it will turn plenty of heads. The opening lick blends together styles favored by the likes of early Ambulance LTD ('Heavy Lifting' from their S/T) and the defunct Exploding Hearts, but the real separation happens when the shrill, borderline whiny, "shitty alt-country indie type" vocals announce that "you're such a bastard when you cry." It's the type of youthful cynicism and half-hearted resentment normally reserved for emotionally hollow bands whose names refer to driving and/or days of the week. While it would be easy and obvious to take these words and deliver them with a hilariously maudlin tone, The Allrights spit them with a sense of humor. Supporting their lyrics with a midwest guitar sensibility and fresh upbeat percussion, they often spin the music in opposition to the lyrics being sung (I use "sung" loosely), not unlike Immaculate Machine. We'll have to see if their live show is as modest as their name, or as tongue in cheek as their sound.

'Bastard' and others available for listen here. I'm unable to download for some reason...so I'm going to blame it on....sloths (youtube the SNL digital short, please).

Substitute awesome freebie, Vancouver's Said the Whale:

Said the Whale - Not a Thought

- brad

Silverchair...fade out...


Most of us at Bridging the Atlantic remember the days of learning how to play guitar to Silverchair tracks like 'Israel’s Son' or 'Freak'. When I heard that Silverchair was about to release a new album I must admit that I felt a flutter in my stomach, perhaps incurred by nostalgia or the agony of listening to another over-produced, overly anthemic glorification of a long-dead grunge/post-grunge act.

If you’re looking to for an homage to Silverchair’s yesteryear, you won’t find it here. The tracks on Young Modern are string and piano-laden which leaves little room for the rhythmic guitar that we admired. This is clearly a continuation of the likes of Neon Ballroom and Diorama.

In terms of evolution, I can say that as a band Silverchair has come a long way. For better or worse I’m not sure, but whereever they are headed I’m not likely to follow. The single 'Straight Lines' shows some hope of being the union of Silverchair and Daniel Johns’ The Disassociatives, but to no avail. Young Modern’s tracks are disjointed, lack consistency and 80% end with the all-annoying fade-out. They spent months in the studio writing, but forgot the endings…what’s the deal?

What Young Modern really lacks is a clear purpose. There were obviously too many people involved in the making of this album. You only have to check out the credits to see where this album went wrong. Fade out…

Young Modern can be heard in its entirety on the band’s website.

Silverchair - Straight Lines

- mookie b. (Marc Bertrand), Kaohsiung Taiwan

Wednesday, July 25, 2007

eighteen hours traffic


Proudly hailing from Canada’s smallest piece of provincial real estate, Prince Edward Island’s Two Hours Traffic made the lengthy trek to the Horseshoe in Toronto recently to welcome the release of their second full-length Little Jabs. The album also marks their reunion with maritime music god Joel Plaskett, who produced their first full-length and offered his services once again for this 11-track folk-rock gem.

As part of the popular Nu Music Nite Tuesdays at the ‘shoe, Two Hours Traffic were sandwiched between two other bands that nobody cared about. This only highlighted the fact that these former UPEI chemistry kids should probably be headlining their own tour across this vast nation.

Not unlike the rural rock of Mr. Plaskett and his counterparts the Emergency, or prairie fires the Weakerthans, each new track relies heavily on clever, intelligent, and fresh vocal hooks to set them apart from their peers. The occasional “ooh ooh oooh” doesn’t hurt either.

Despite a laughably horrific band name more reminiscent of radio jock rock than worthwhile songwriting, the new record is polished indie folk-pop seemingly crafted specifically for the likes of CBC Radio 3 listeners who’ll inevitably eat this shit up.

The entire new album is streaming from the band's website.

Sportsday Megaphone


I swear, one day my computer is just going to start laying down beats while I sleep. Because as London based Hugh Frost a.k.a Sportsday Megaphone is demonstrating, nowadays all you need is one guy, a guitar, and a laptop to make some of the newest and catchiest indie pop-rock. How long until the computers take out that pesky human element that keeps them from acheiving some kind of calculated musical perfection? All you UK people need to take in one of his upcoming sets. Jealous of my friends across the pond? No...they are simply dead to me. It's easier this way.

Less and Less EP available now on iTunes and directly from Sunday Best.

Sportsday Megaphone - Less and Less (YSI)

The Rumble Strips - Alarm Clock (Sportsday Megaphone Stereo Adventure Remix) (YSI)

- matty b.

Tuesday, July 24, 2007

Wizards of OZ


Hilltop Hoods have been present in the Australian hip-hop scene since the late 90's, but their flow has only recently been noticed off the continent. Their platinum album The Hard Road, which hit No. 1 on the Australian charts, dropped in 2006. But the Adelaide based group continued to impress and broaden their musical horizons by releasing The Hard Road: Restrung this year, which harnesses the skills of the Adelaide Symphony Orchestra. Each track has been re-worked with the orchestra to create a new listening experience unique from much of what's appearing on today's hip-hop front.
The symphony demonstrates their talent and diversity on tracks such as 'Conversations from a Speakeasy', which has a great jazzy 1940's sound to it; 'Monsters Ball Restrung', which hits heavy thanks to brooding minor-key string swells; and instrumental piece 'The Captured Vibe Restrung'.
Projects such as these speak strongly about the support that Adelaide musicians seem to give to each other, in this case breaking through the borders of musical genres.

Hilltop Hoods - The Hard Road Restrung

Hilltop Hoods - Monsters Ball Restrung
Hilltop Hoods - The Captured Vibe Restrung

- matty b.

Monday, July 23, 2007

And Then We Need A Release


Uh oh! New Wave, the July 10th release from Floridians Against Me!, is on a major label (Sire Records) with a big-time producer (Butch Vig) and plenty of promotion. Recipe for disaster, you say?
Not necessarily. The songs here are still typically explosive AM! fare and Tom Gabel's scathing lyrics still describe the trials and tribulations of losers, lovers and haters. And yeah, the production is wicked sharp. Multiple lineup changes, stolen demos and acusations of selling out don't seem to have phased the band, and it's evident upon listening to tracks such as 'Piss and Vinegar', 'Thrash Unreal' and 'Stop' that that Against Me! have not lost their edge or shifted in their stance against corporate America.
A warning: those of you seeking Against Me! acoustic punk from days of yore best look elsewhere; there's no 'Joy' to be found on this album. However, 'Borne on the FM Waves of the Heart' is a pretty sweet duet with Tegan Quin from Tegan and Sara that folks seem to like a whole lot.

Against Me! - Thrash Unreal
Against Me! - Stop

- a.m.p.m.

Sunday, July 22, 2007

Remix Sunday: Crystal Castles


Crystal Castles is two kids from Toronto named Ethan and Alice who make their own music and have also created dope remixes of Bloc Party, Klaxons, Uffie, GoodBooks and Liars tracks, among others. All those remixes are great and everything, but this Sunday we have a real treat for you. The Castles take HEALTH's shrill, droning and percussion-heavy track 'Crimewave' and restructure it with a shuffling bouncy beat and their trademark 8-bit electro effects while retaining the vocal sample (albeit chopped and glitchy). Pre-order their upcoming Untrust Us EP from S.L.U. Records now and they'll throw in a bunch of free stuff. Better hurry though, it's selling like hotcakes.

HEALTH - Crimewave
Crystal Castles vs. HEALTH - Crimewave

- a.m.p.m.

Bonus:
Crystal Castles - Air War

Saturday, July 21, 2007

New Tokyo Police Club Album on Saddle Creek


When I first saw Tokyo Police Club live in Ottawa last year I wasn't especially impressed with the performance. Granted, their repertoire included a mere handful of songs and the guys had only just stepped into the daunting limelight of Canada's burgeoning indie scene. But I'd been hooked on the band's A Lesson In Crime EP for months and had expected a live show to match the energy and creativity contained in its 16-odd minutes of glory.
So naturally, when the boys from Newmarket, Ontario lit up Hoxton Bar and Kitchen last month and charmed their London crowd to the tune of two encores, I was pleasantly surprised. It certainly helped that almost half the show was composed of new material, and the new songs are solid. Non-A Lesson In Crime tracks 'Box' and 'Your English is Good' were met with extreme audience enthusiasm, and I can testify that the upcoming LP will be quality if the Club includes the new material they tested out on our eager ears. It's also a promising sign that TPC's first album proper is to be released on Saddle Creek Records.
And did I mention that Immaculate Machine showed up unannounced just 'cause? Not bad at all for £6.

Here's most of the newer stuff I've been able to get my hands on:
Tokyo Police Club - Box (Smith EP)
Tokyo Police Club - Cut Cut Paste (Smith EP)
Tokyo Police Club - Your English is Good (Your English is Good 7" single)
Tokyo Police Club - Graves (Daytrotter Session)
Tokyo Police Club - New Song (Daytrotter Session)

- a.m.p.m.

(Special thanks to Cause=Time for the tip on the Daytrotter tracks and I hope you thoroughly enjoy the show in Denver tonight.)

Thursday, July 19, 2007

The Blow @ Horseshoe Tavern


As Khaela Maricich, better known as Portland Oregon’s The Blow, wandered unassumingly toward the microphone at Toronto’s filled-to-capacity Horseshoe Tavern, I had no idea that my frequently unchallenged notion of a live music performance would be put to the test.

The one-hour headlining sets generally fall into one of two categories: a band or artist rushing to squeeze in as much material as can be allowed, or struggling to stretch 40 minutes worth of material into 60, usually resulting in unnecessarily long guitar tuning intervals, extended bridges, and more often than not, hopeless audience banter. The Blow defied either of these pigeonholes, instead opting for an unparalleled blend of ad-hoc storytelling interwoven with songs from her 2006 release Paper Television. The songs, it seemed, acted merely as electro-dance versions of the stories which often were longer than the songs themselves. The first third of the set consisted of maybe eight minutes of music, the rest being filled entirely with monologue. And, while the talk was generally funny, charming, and entertaining, it left me wondering what exactly I had paid my $12 to see – a musician or a comedian.

But when Maricich did opt for a tune in favour of a story session, her genuine and soothing vocals over top of the pre-recorded beats recreated the charms of the band's breakthrough album effortlessly. Much like the album, the strongest live tracks included the album’s opener 'Pile of Gold', as well as the beautifully whimsical love song 'Parentheses', and non-album tracks 'Hey Boy' and her re-worked and charming cover of the Police’s 'Every Little Thing She Does is Magic', which served as her one-song encore.

Previous to last night, never had I ever considered the potential of a Beck Hansen/Ellen Degeneres lovechild (for obvious reasons). But Maricich juggled both of their defining characteristics with ease, and entirely by accident; Beck’s unorthodox merger of vocal harmony, hip hop rhythms, and train-of-thought lyrical rantings combined with dance moves so quirky the audience didn’t know whether to cower in sympathetic embarrassment or take notes so as to recreate them later in a bedroom mirror. The Degeneres influence was evident in between the songs themselves, where Maricich seemed just as comfortable engaging the crowd through conversational humour about love of both men and women, chasing love, falling out of love, jogging, and those dudes who drive around shouting out the window at girls they’ll never get with.

In the end, Maricich’s performance seemed to win over the majority of the crowd, demonstrated by the extended cheers of adoration throughout the set. Despite her dorky charm and obvious talent, it took all the power within my own self-control to deny my urge to be that guy who belts out: “Shut up and play a fucking song!” For the record, I didn’t. And neither did anyone else, though I’m sure we all were thinking it. I, like everyone else in the bar that night, just shut up and listened. But that doesn’t mean we’ll all be as accommodating (or as sober) next time around.

- bobby k.

The Blow, Horseshoe Tavern, Toronto
Sunday July 8, 2007


Tuesday, July 17, 2007

Going GaGa over Ga Ga Ga Ga Ga


Nothing's changed here, folks; Spoon's new album Ga Ga Ga Ga Ga is bursting at the seams with solid offerings from a band who's been doing their thing for over a decade, and doing it well.
The forces behind Bridging the Atlantic been digging these guys for ages; yours truly was first exposed to Spoon via A Series of Sneaks (circa '98) and could never understand why almost nobody had heard of them, but all signs point to this being the Summer of Spoon. The first single from the July 10th release is 'The Underdog', an upbeat Paul Simonesque rock/pop glory complete with handclaps, jazzy horns, bouncy acoustic guitar and Britt Daniels' earnest yet cheeky lyrics. The sheer catchiness of 'The Underdog', plus the single's trippy video (see below) and a July 11th performance on Letterman will likely help to increase the band's fanbase.
Almost every track on this album is an absolute gem, but 'Rhthm & Soul' and 'Finer Feelings' are currently my personal favourites. Check 'em out and let me know if you agree.




- a.m.p.m.

Sunday, July 15, 2007

Remix Sunday: Goose



For this week's Remix Sunday, feast your ears on this remix from Goose's album Bring It On. The glitched-out, heavier 'Jester Remix' of the already dirty and delicious track 'British Mode' was composed by the guys themselves, but second-party remixes of other Bring It On tracks can be found floating around the blogosphere, most recently MSTRKRFT's treatment of 'Bring It On'.
Coincidentally enough, the band will be here in the UK in two weeks time (or, as they say here, "a fortnight") for the Secret Garden Party, exactly the same weekend I'll be visiting their home turf of Belgium. For those of you not attending Reading this year, catch Goose at TDK Cross Central on the August bank holiday weekend.
And if you're interested in learning more about Goose, check out Leon's meticulous and comprehensive Goosebumpz.com, one of the best fan-created band websites I've seen yet.

Thursday, July 12, 2007

Meanwhile...in British Columbia...


I first heard Immaculate Machine about a year ago on a CBC Radio 3 Podcast, which has always been a source of some of the best new Canadian talent. Their infectious and bouncy tune entitled 'No Such Thing as the Future' caught my ear and was released on their Ones and Zeroes EP. I just picked up my copy of their full-length album Fables and continue to be impressed by the vocal and musical abilities of this band. Some notable tracks on this include 'Small Talk', in which Final Fantasy's Owen Pallett lends a hand with the strings. I just missed these guys last time they played a show, but being residents of the Vancouver area, I’m sure I’ll get the chance again soon. And for all of you across the pond, they are heading to the UK very soon! So be sure to check them out.

- matty b.

Immaculate Machine - Jarhand (Zshare)
Immaculate Machine - Small Talk (Zshare)

N.B. I caught these guys appearing as surprise openers at a Tokyo Police Club gig here in London a couple of weeks ago. Although the majority of the crowd wasn't familiar with Immaculate Machine, everyone seemed really impressed with the band's great live presence and catchy tunes. By the time they pulled out 'No Such Thing as the Future' a few songs into their set, the whole crowd was bobbing around and a few Canadians (myself included) were enthusiastically singing along at the top of our lungs.

Bonus:
Immaculate Machine - No Such Thing as the Future (live version)

Oh yeah, and TPC were superb. More on that later.

- a.m.p.m.

Tuesday, July 10, 2007

Super Taranta!


New York gypsy punks Gogol Bordello release their new album Super Taranta! today. If you've never heard these guys before, stop reading and download the track below immediately. However, if you already know all about the band that's been named the 'greatest live band in New York', rest assured that yours truly will be right up front during their performance at Reading in a few weeks time.

Gogol Bordello - Supertheory of Supereverything

- a.m.p.m.

Sunday, July 08, 2007

Remix Sunday: I Used To Dance With My Daddy


I was lucky enough to catch Datatrock at the Luminaire on Thursday night, and what a show it was. I could try to descibe the madness that ensued myself, but it's better for everyone if you just read these reviews. To top it all off, the crazy Norwegians handed out free I Used To Dance With My Daddy remix singles autographed by the band to everyone at the end of the show. Thanks, dudes.

Datarock - I Used To Dance With My Daddy (Para One Remix)

- a.m.p.m.

Saturday, July 07, 2007

It Never Ends


Bridging the Atlantic learned of Max Barbaria and DJ Vibe's The NeverEnding Story mixtape through Partytack! a few months ago and it is quality (kudos to Partytack!). It's interesting to note that these NYC boys mashup several of the same tracks here as those used in The Hood Internet's Mixtape, but with a different approach and style altogether. The duo has produced a handful of mixtapes based on themes such as The Adventures of Tintin, Bloodsport and A Better Tomorrow. Vibe & Barbaria have most recently released their summer 2007 mix Free To Be You And Me, which I definitely plan to get my hands on.

And by the way, The NeverEnding Story is a wicked movie. If you haven't seen it before, do yourself a favour and watch it as soon as possible.

Max Barbaria and DJ Vibe - The NeverEnding Story

- a.m.p.m.