Thursday, August 16, 2007

Human After All?



Working at a summer camp hasn't allowed me a great deal of time to write about or seek out much new music. However, last week my girlfriend and I got a couple days off to go to Montreal to see Daft Punk. I'd read all about it on the internet ever since Coachella 2006, but I can now fully support the hype and state that their live set is indeed mindblowing - both visually and sonically. Despite the fact that their set was essentially the same as the Coachella bootleg, nothing could stop the crowd from going bat shit crazy over two guys in robot costumes and an incredible light show. I don't think my words would do the creativity and synchronization of the lights and music any justice; that is something that must be witnessed. The red Tron suits for the encore were unreal.

The Rapture opened the show with a healthy collection of old and new, and according to the bill Kavinsky and SebastiAn were there but all I noticed was a mixtape of good tunes being played in between The Rapture and Daft Punk. We didn't make it to the 'official afterparty' but the show will be one to remember. Enjoy some blurry photos and a video, and check out this One More Time/Aerodynamic remix from Coachella (listen to the crowd as Aerodynamic's unmistakable guitar solo is mixed in):

Daft Punk - One More Time (Aerodynamic Remix) [from Coachella set]


- Stay fly

A.W.

Wednesday, August 15, 2007

Do It For The Mookie


Bridging the Atlantic favourites Discobelle.net dropped an exclusive jam from Australians Acid Jacks a couple days ago called 'Mookie', tagging it as "one scary electrodriven monster of a track". A very apt description indeed.

Acid Jacks - Mookie


- a.m.p.m.

Tuesday, August 14, 2007

Scot Rocks


Why the hiatus, you ask? A couple of weekends ago I got out of London and embarked on an ambitious road trip around southern and central Scotland. Although I've been to Scotland (and Edinburgh) a few times already the scenery, people, and culture of this truly amazing country never cease to amaze me. And for a small place (under 80,000 square kilometres and just over 5 million people) it sure cranks out a ton of good music.
Here are some of the songs that made up my Scotland Summer Soundtrack while speeding through the idyllic countryside, drinking pints in village pubs, exploring abandoned castles and taking in the Edinburgh festival:

Mylo - Otto's Journey
Beta Band - Needles in My Eyes
Mogwai - Friend of the Night
Camera Obscura - Country Mile
-a.m.p.m.

Thursday, August 02, 2007

Drop the Plot


A while back BTA bestowed praise on Canadian indie pop/rock superhero Gregory Pepper and promised y'all a few of his new tracks as they became available, and it's high time we followed through with some mp3s. So here they are. Hooktastic 'Drop The Plot' has been bouncing around inside my head almost non-stop for weeks now and '7ths & 3rds' also refuses to vacate my cerebellum. Remember when Weezer used to be good? Well, '7ths & 3rds' is like that, but better. And hey, these tracks aren't even album cuts.

Mr. Pepper's 2006/2007 albums Gregory Pepper & His Problems and Gregory Pepper Spends an Evening at Home can be streamed in their entirety on his myspace page as well as through his new neat-o website.

- a.m.p.m.

Tuesday, July 31, 2007

Band of Horses, Eat Your Heart Out

Last night Ottawa was graced by A Band of Owls, one of Canada's young folk acts with loads of promise. The band was pared down for the show, playing without drummer Aaron Mangle. Frontwoman and songwriter Heather Kelday was the star of the show, displaying some serious chops on guitar, banjo, and mandolin to accompany her soulful songs about embracing the natural world. Paul Cressman filled out the mostly slow jams with some precise work on the upright electric bass, though his mid-song comedy was wrist-slicingly painful.

If you feel like a break from the busyness of whatever it is you're doing at the moment, A Band of Owls' mellow fusion of folk, roots, blues, and jazz is certain to provide some relief.

Cheers to my friend Ken, who manages the band and gave the heads up on the show.

A Band of Owls - Rushing Love Song


- brad

Monday, July 30, 2007

Rainbows and Stars


As I was zipping around Belgium on high speed trains this past weekend, I threw the old iPod on random and an extremely fitting track came up. At that moment, I realised that aside from the Chemical Brothers' superb 'Star Guitar' from days of yore, 'Rainbow Man' by Ed Banger boss Busy P has to be one of the best candidates for European train journey soundtracks.

- a.m.p.m.

Busy P - Rainbow Man

Sunday, July 29, 2007

Fortress of Solitude


The first time I saw Think About Life perform it was a sweaty, dingy affair in an Ottawa basement (59 Argyle!), complete with good friends, genuine music lovers, and pizza slices on the house. During their performance and immediately following the show, I noticed that the personality of guitarist Graham Van Pelt was visibly different than that of his fellow members. He did less of the talking and lacked Martin Cesar's swagger as well as the cathartic energy of Matt Shane. Still, one knew that being a part of this band, an off-the-wall, unconventionally spastic electro-rock outfit, must have meant that Van Pelt possessed some unseen quality comparably awesome to the more visible traits exhibited by the dude screaming and the soaking-wet, skinny drummer.

Miracle Fortress is Van Pelt's unveiling party (*though it came out late May, I've been on the road for a while, missing just about every key release of the summer). Five Roses is the masterpiece, and is without question a demonstration of the individual talent he channels subtly into Think About Life. That band's self-titled debut was a summer album for all the writers here at BTA. It reflected the freedom and irresponsibility of the humid months; it was raw, loud, and explosive. Five Roses is a completely different aesthetic, but a summer album just the same. While an early Miracle Fortress song 'Eschatology' re-created the Think About Life style with a little less tumult, the songs on the debut carve out a whole new sound. Like with Panda Bear, the Brian Wilson comparisons have been identified by almost everybody who has gotten hold of this album. The songs on Five Roses are laden with subdued vocal melodies that gradually build towards bright conclusions, all the while sprinkling keyboard and peppery percussion in the gaps to achieve those Wilson-like textures. This is most evident on 'Have You Seen In Your Dreams', where hand claps work alongside vocal echo effects. 'Maybe Lately' develops from start to finish in a very similar way. The standout track of the album is 'Hold Your Secrets To Your Heart', showcasing Van Pelt's strongest singing and a softly pulsing rhythm that hypnotically coasts to the song's end. The first time I heard it I was on the other side of the country in British Columbia, and the astonishment I was feeling from the mountains and natural beauty of the landscape was encompassed perfectly in this one song. I vividly remember making that connection, and not many songs are capable of inducing such peace. It will be an extremely good second half of '07 if this doesn't make it into the top 10.

Miracle Fortress - Have You Seen In Your Dreams (YSI)
Miracle Fortress - Maybe Lately (YSI)
Miracle Fortress - Hold Your Secrets To Your Heart (YSI)

- brad

Saturday, July 28, 2007

Edit, Copy, Paste


DJ Copy started to get noticed when he dropped his Diva Mixtape Vol. 1, where he remixed the R & B stylings from the likes of Destiny's Child, TLC, and Mariah Carey into tracks that sound like they were produced on that Commodore 64 in your basement. Next, he performed similar remixes with some of the most notable tracks from Bone Thugs N Harmony's East 1999 album, and I couldn't have been more excited. I was reliving the days when I would constantly play this cassette on the bus ride to school, but now with an electro dance rock spin on it. Now, with the release of his full length album Hair Guitar, DJ Copy demonstrates that his knack for making danceable 8-bit remixes carries over amazingly well to his own solo creations. The result is just over 40 mins. of some of the best hip-hop electro beats you've heard. One of the great things about Copy is that he keeps things relativley simple. The tracks don't get lost in multiple layers or overdone effects. Copy takes his beat, a few lines that work, and leaves everything else. Hair Guitar has been compared to the likes of Ratatat, M83, and Justice, for his ability to make tracks that you'll want to bob your head to over and over again.
Be sure to order your copy of Hair Guitar at Audio Dregs, and if you're quick enough, you might still get that Bone Thugs N Copy CD free with your order.

- Matty B.

DJ Copy - This is Promotional (YSI)
DJ Copy - See you around maybe (YSI)
Bone Thugs N Harmony - Can't Give it up (DJ Copy Remix) (YSI)

Friday, July 27, 2007

pony down! $9.50


I feel the need to preface this post by clarifying that no, I do not live at the Horseshoe nor am I generally there more than once every week or two. But alas, another review (third in a row) from the 'shoe.

Montreal's femme-foursome Pony Up! galloped into town last night, bringing along Toronto indie-pop tarts the Bicycles for a stop at the orseshoe. And, though I had never seen either act in the flesh, having sampled both of Pony Up!'s releases, as well as cuts from the Bicycles' 2006 album the Good, the Bad and the Cuddly, I felt justified in expecting nothing less than sugary pop so sweet a trip to the dentist may ensue.

I was actually quite surprised by the one-third capacity of the small-ish room, especially with a very agreeable $9.50 price tag. But, even after watching the Bicycles fumble through an entire set in what sounded like their first show in a decade, few new faces had shown up.

Admittedly, I think I remember mention of a last-minute lineup change which could have contributed to their lack of cohesion. But ultimately, the Bicycles' sound was sloppy and incomplete, and not even close to as fun as the album. Their struggle was no more apparent than during Australia, the band's most-requested song, where merely the completion of the song was put in jeopardy on more than one occasion through miscues and a missing musician or two. The bubblegum fun was ultimately lost in the mix, and the set fell flat on its face.

By the time the Pony Up! express took the stage, the energy level in the room compared more to nap time at High Park Villa's retirement residence than to a pop-rock concert. The girls attempted nothing to rejuvenate the handful of onlookers, but rather cruised through the majority of the tracks on 2006's Make Love to the Judges with Your Eyes with limited enthusiasm.

Despite singer/keyboardist Laura Willis' claim that Toronto is the band's favourite city to play, their seeming lack of interest wore off on the majority of the crowd who, with the exception of a handful of girls adorned in matching zebra and leopard-print dresses, seemed ready to call it a night only a handful of songs from the outset.

But, while the highlights were few, they weren't entirely absent: Willis finally let herself loose with two songs left, letting her small voice rip during the yet-to-be-released 'Wet', which builds from a simplistic and mundane ballad into borderline epic. That seemed to wake up the crowd and the rest of her band, who wrapped up their otherwise lackluster performance with a strong rendition of 'The Truth About Cats and Dogs (is that They Die)', arguably their most popular song, in which co-lead Sarah Moundroukas followed Willis' lead by actually having some fun.

Regrettably, the batteries in my camera tapped out before Pony Up! even hit the stage, but below are some amateur attempts at band photography, starring the Bicycles (coming soon).


- bobby k.

Pony Up! w/ the Bicycles, Horseshoe Tavern, Toronto
Thursday, July 26th, 2007

Pony Up! - The Truth About Cats and Dogs (is that they die) (YSI)
Pony Up! - Wet (YSI)
The Bicycles - Australia (YSI)
The Bicycles - B-B-Bicycles (YSI)

Thursday, July 26, 2007

Just OK


Their page has the band origins listed as such:

Dave to Tim and Chris: Hey guys, wanna start up a shitty alt-country indie type band?
Chris and Tim: Hmm...ok.

Hey, good enough for me. Ottawa's unsigned Allrights open for Victoria natives Immaculate Machine tomorrow night in the nation's capital, a spot they surely earned based on their confidence and self-assured attitude toward making music. When 'Bastard' drops at Zaphod's I imagine it will turn plenty of heads. The opening lick blends together styles favored by the likes of early Ambulance LTD ('Heavy Lifting' from their S/T) and the defunct Exploding Hearts, but the real separation happens when the shrill, borderline whiny, "shitty alt-country indie type" vocals announce that "you're such a bastard when you cry." It's the type of youthful cynicism and half-hearted resentment normally reserved for emotionally hollow bands whose names refer to driving and/or days of the week. While it would be easy and obvious to take these words and deliver them with a hilariously maudlin tone, The Allrights spit them with a sense of humor. Supporting their lyrics with a midwest guitar sensibility and fresh upbeat percussion, they often spin the music in opposition to the lyrics being sung (I use "sung" loosely), not unlike Immaculate Machine. We'll have to see if their live show is as modest as their name, or as tongue in cheek as their sound.

'Bastard' and others available for listen here. I'm unable to download for some reason...so I'm going to blame it on....sloths (youtube the SNL digital short, please).

Substitute awesome freebie, Vancouver's Said the Whale:

Said the Whale - Not a Thought

- brad

Silverchair...fade out...


Most of us at Bridging the Atlantic remember the days of learning how to play guitar to Silverchair tracks like 'Israel’s Son' or 'Freak'. When I heard that Silverchair was about to release a new album I must admit that I felt a flutter in my stomach, perhaps incurred by nostalgia or the agony of listening to another over-produced, overly anthemic glorification of a long-dead grunge/post-grunge act.

If you’re looking to for an homage to Silverchair’s yesteryear, you won’t find it here. The tracks on Young Modern are string and piano-laden which leaves little room for the rhythmic guitar that we admired. This is clearly a continuation of the likes of Neon Ballroom and Diorama.

In terms of evolution, I can say that as a band Silverchair has come a long way. For better or worse I’m not sure, but whereever they are headed I’m not likely to follow. The single 'Straight Lines' shows some hope of being the union of Silverchair and Daniel Johns’ The Disassociatives, but to no avail. Young Modern’s tracks are disjointed, lack consistency and 80% end with the all-annoying fade-out. They spent months in the studio writing, but forgot the endings…what’s the deal?

What Young Modern really lacks is a clear purpose. There were obviously too many people involved in the making of this album. You only have to check out the credits to see where this album went wrong. Fade out…

Young Modern can be heard in its entirety on the band’s website.

Silverchair - Straight Lines

- mookie b. (Marc Bertrand), Kaohsiung Taiwan

Wednesday, July 25, 2007

eighteen hours traffic


Proudly hailing from Canada’s smallest piece of provincial real estate, Prince Edward Island’s Two Hours Traffic made the lengthy trek to the Horseshoe in Toronto recently to welcome the release of their second full-length Little Jabs. The album also marks their reunion with maritime music god Joel Plaskett, who produced their first full-length and offered his services once again for this 11-track folk-rock gem.

As part of the popular Nu Music Nite Tuesdays at the ‘shoe, Two Hours Traffic were sandwiched between two other bands that nobody cared about. This only highlighted the fact that these former UPEI chemistry kids should probably be headlining their own tour across this vast nation.

Not unlike the rural rock of Mr. Plaskett and his counterparts the Emergency, or prairie fires the Weakerthans, each new track relies heavily on clever, intelligent, and fresh vocal hooks to set them apart from their peers. The occasional “ooh ooh oooh” doesn’t hurt either.

Despite a laughably horrific band name more reminiscent of radio jock rock than worthwhile songwriting, the new record is polished indie folk-pop seemingly crafted specifically for the likes of CBC Radio 3 listeners who’ll inevitably eat this shit up.

The entire new album is streaming from the band's website.

Sportsday Megaphone


I swear, one day my computer is just going to start laying down beats while I sleep. Because as London based Hugh Frost a.k.a Sportsday Megaphone is demonstrating, nowadays all you need is one guy, a guitar, and a laptop to make some of the newest and catchiest indie pop-rock. How long until the computers take out that pesky human element that keeps them from acheiving some kind of calculated musical perfection? All you UK people need to take in one of his upcoming sets. Jealous of my friends across the pond? No...they are simply dead to me. It's easier this way.

Less and Less EP available now on iTunes and directly from Sunday Best.

Sportsday Megaphone - Less and Less (YSI)

The Rumble Strips - Alarm Clock (Sportsday Megaphone Stereo Adventure Remix) (YSI)

- matty b.

Tuesday, July 24, 2007

Wizards of OZ


Hilltop Hoods have been present in the Australian hip-hop scene since the late 90's, but their flow has only recently been noticed off the continent. Their platinum album The Hard Road, which hit No. 1 on the Australian charts, dropped in 2006. But the Adelaide based group continued to impress and broaden their musical horizons by releasing The Hard Road: Restrung this year, which harnesses the skills of the Adelaide Symphony Orchestra. Each track has been re-worked with the orchestra to create a new listening experience unique from much of what's appearing on today's hip-hop front.
The symphony demonstrates their talent and diversity on tracks such as 'Conversations from a Speakeasy', which has a great jazzy 1940's sound to it; 'Monsters Ball Restrung', which hits heavy thanks to brooding minor-key string swells; and instrumental piece 'The Captured Vibe Restrung'.
Projects such as these speak strongly about the support that Adelaide musicians seem to give to each other, in this case breaking through the borders of musical genres.

Hilltop Hoods - The Hard Road Restrung

Hilltop Hoods - Monsters Ball Restrung
Hilltop Hoods - The Captured Vibe Restrung

- matty b.

Monday, July 23, 2007

And Then We Need A Release


Uh oh! New Wave, the July 10th release from Floridians Against Me!, is on a major label (Sire Records) with a big-time producer (Butch Vig) and plenty of promotion. Recipe for disaster, you say?
Not necessarily. The songs here are still typically explosive AM! fare and Tom Gabel's scathing lyrics still describe the trials and tribulations of losers, lovers and haters. And yeah, the production is wicked sharp. Multiple lineup changes, stolen demos and acusations of selling out don't seem to have phased the band, and it's evident upon listening to tracks such as 'Piss and Vinegar', 'Thrash Unreal' and 'Stop' that that Against Me! have not lost their edge or shifted in their stance against corporate America.
A warning: those of you seeking Against Me! acoustic punk from days of yore best look elsewhere; there's no 'Joy' to be found on this album. However, 'Borne on the FM Waves of the Heart' is a pretty sweet duet with Tegan Quin from Tegan and Sara that folks seem to like a whole lot.

Against Me! - Thrash Unreal
Against Me! - Stop

- a.m.p.m.

Sunday, July 22, 2007

Remix Sunday: Crystal Castles


Crystal Castles is two kids from Toronto named Ethan and Alice who make their own music and have also created dope remixes of Bloc Party, Klaxons, Uffie, GoodBooks and Liars tracks, among others. All those remixes are great and everything, but this Sunday we have a real treat for you. The Castles take HEALTH's shrill, droning and percussion-heavy track 'Crimewave' and restructure it with a shuffling bouncy beat and their trademark 8-bit electro effects while retaining the vocal sample (albeit chopped and glitchy). Pre-order their upcoming Untrust Us EP from S.L.U. Records now and they'll throw in a bunch of free stuff. Better hurry though, it's selling like hotcakes.

HEALTH - Crimewave
Crystal Castles vs. HEALTH - Crimewave

- a.m.p.m.

Bonus:
Crystal Castles - Air War

Saturday, July 21, 2007

New Tokyo Police Club Album on Saddle Creek


When I first saw Tokyo Police Club live in Ottawa last year I wasn't especially impressed with the performance. Granted, their repertoire included a mere handful of songs and the guys had only just stepped into the daunting limelight of Canada's burgeoning indie scene. But I'd been hooked on the band's A Lesson In Crime EP for months and had expected a live show to match the energy and creativity contained in its 16-odd minutes of glory.
So naturally, when the boys from Newmarket, Ontario lit up Hoxton Bar and Kitchen last month and charmed their London crowd to the tune of two encores, I was pleasantly surprised. It certainly helped that almost half the show was composed of new material, and the new songs are solid. Non-A Lesson In Crime tracks 'Box' and 'Your English is Good' were met with extreme audience enthusiasm, and I can testify that the upcoming LP will be quality if the Club includes the new material they tested out on our eager ears. It's also a promising sign that TPC's first album proper is to be released on Saddle Creek Records.
And did I mention that Immaculate Machine showed up unannounced just 'cause? Not bad at all for £6.

Here's most of the newer stuff I've been able to get my hands on:
Tokyo Police Club - Box (Smith EP)
Tokyo Police Club - Cut Cut Paste (Smith EP)
Tokyo Police Club - Your English is Good (Your English is Good 7" single)
Tokyo Police Club - Graves (Daytrotter Session)
Tokyo Police Club - New Song (Daytrotter Session)

- a.m.p.m.

(Special thanks to Cause=Time for the tip on the Daytrotter tracks and I hope you thoroughly enjoy the show in Denver tonight.)

Thursday, July 19, 2007

The Blow @ Horseshoe Tavern


As Khaela Maricich, better known as Portland Oregon’s The Blow, wandered unassumingly toward the microphone at Toronto’s filled-to-capacity Horseshoe Tavern, I had no idea that my frequently unchallenged notion of a live music performance would be put to the test.

The one-hour headlining sets generally fall into one of two categories: a band or artist rushing to squeeze in as much material as can be allowed, or struggling to stretch 40 minutes worth of material into 60, usually resulting in unnecessarily long guitar tuning intervals, extended bridges, and more often than not, hopeless audience banter. The Blow defied either of these pigeonholes, instead opting for an unparalleled blend of ad-hoc storytelling interwoven with songs from her 2006 release Paper Television. The songs, it seemed, acted merely as electro-dance versions of the stories which often were longer than the songs themselves. The first third of the set consisted of maybe eight minutes of music, the rest being filled entirely with monologue. And, while the talk was generally funny, charming, and entertaining, it left me wondering what exactly I had paid my $12 to see – a musician or a comedian.

But when Maricich did opt for a tune in favour of a story session, her genuine and soothing vocals over top of the pre-recorded beats recreated the charms of the band's breakthrough album effortlessly. Much like the album, the strongest live tracks included the album’s opener 'Pile of Gold', as well as the beautifully whimsical love song 'Parentheses', and non-album tracks 'Hey Boy' and her re-worked and charming cover of the Police’s 'Every Little Thing She Does is Magic', which served as her one-song encore.

Previous to last night, never had I ever considered the potential of a Beck Hansen/Ellen Degeneres lovechild (for obvious reasons). But Maricich juggled both of their defining characteristics with ease, and entirely by accident; Beck’s unorthodox merger of vocal harmony, hip hop rhythms, and train-of-thought lyrical rantings combined with dance moves so quirky the audience didn’t know whether to cower in sympathetic embarrassment or take notes so as to recreate them later in a bedroom mirror. The Degeneres influence was evident in between the songs themselves, where Maricich seemed just as comfortable engaging the crowd through conversational humour about love of both men and women, chasing love, falling out of love, jogging, and those dudes who drive around shouting out the window at girls they’ll never get with.

In the end, Maricich’s performance seemed to win over the majority of the crowd, demonstrated by the extended cheers of adoration throughout the set. Despite her dorky charm and obvious talent, it took all the power within my own self-control to deny my urge to be that guy who belts out: “Shut up and play a fucking song!” For the record, I didn’t. And neither did anyone else, though I’m sure we all were thinking it. I, like everyone else in the bar that night, just shut up and listened. But that doesn’t mean we’ll all be as accommodating (or as sober) next time around.

- bobby k.

The Blow, Horseshoe Tavern, Toronto
Sunday July 8, 2007


Tuesday, July 17, 2007

Going GaGa over Ga Ga Ga Ga Ga


Nothing's changed here, folks; Spoon's new album Ga Ga Ga Ga Ga is bursting at the seams with solid offerings from a band who's been doing their thing for over a decade, and doing it well.
The forces behind Bridging the Atlantic been digging these guys for ages; yours truly was first exposed to Spoon via A Series of Sneaks (circa '98) and could never understand why almost nobody had heard of them, but all signs point to this being the Summer of Spoon. The first single from the July 10th release is 'The Underdog', an upbeat Paul Simonesque rock/pop glory complete with handclaps, jazzy horns, bouncy acoustic guitar and Britt Daniels' earnest yet cheeky lyrics. The sheer catchiness of 'The Underdog', plus the single's trippy video (see below) and a July 11th performance on Letterman will likely help to increase the band's fanbase.
Almost every track on this album is an absolute gem, but 'Rhthm & Soul' and 'Finer Feelings' are currently my personal favourites. Check 'em out and let me know if you agree.




- a.m.p.m.

Sunday, July 15, 2007

Remix Sunday: Goose



For this week's Remix Sunday, feast your ears on this remix from Goose's album Bring It On. The glitched-out, heavier 'Jester Remix' of the already dirty and delicious track 'British Mode' was composed by the guys themselves, but second-party remixes of other Bring It On tracks can be found floating around the blogosphere, most recently MSTRKRFT's treatment of 'Bring It On'.
Coincidentally enough, the band will be here in the UK in two weeks time (or, as they say here, "a fortnight") for the Secret Garden Party, exactly the same weekend I'll be visiting their home turf of Belgium. For those of you not attending Reading this year, catch Goose at TDK Cross Central on the August bank holiday weekend.
And if you're interested in learning more about Goose, check out Leon's meticulous and comprehensive Goosebumpz.com, one of the best fan-created band websites I've seen yet.

Thursday, July 12, 2007

Meanwhile...in British Columbia...


I first heard Immaculate Machine about a year ago on a CBC Radio 3 Podcast, which has always been a source of some of the best new Canadian talent. Their infectious and bouncy tune entitled 'No Such Thing as the Future' caught my ear and was released on their Ones and Zeroes EP. I just picked up my copy of their full-length album Fables and continue to be impressed by the vocal and musical abilities of this band. Some notable tracks on this include 'Small Talk', in which Final Fantasy's Owen Pallett lends a hand with the strings. I just missed these guys last time they played a show, but being residents of the Vancouver area, I’m sure I’ll get the chance again soon. And for all of you across the pond, they are heading to the UK very soon! So be sure to check them out.

- matty b.

Immaculate Machine - Jarhand (Zshare)
Immaculate Machine - Small Talk (Zshare)

N.B. I caught these guys appearing as surprise openers at a Tokyo Police Club gig here in London a couple of weeks ago. Although the majority of the crowd wasn't familiar with Immaculate Machine, everyone seemed really impressed with the band's great live presence and catchy tunes. By the time they pulled out 'No Such Thing as the Future' a few songs into their set, the whole crowd was bobbing around and a few Canadians (myself included) were enthusiastically singing along at the top of our lungs.

Bonus:
Immaculate Machine - No Such Thing as the Future (live version)

Oh yeah, and TPC were superb. More on that later.

- a.m.p.m.

Tuesday, July 10, 2007

Super Taranta!


New York gypsy punks Gogol Bordello release their new album Super Taranta! today. If you've never heard these guys before, stop reading and download the track below immediately. However, if you already know all about the band that's been named the 'greatest live band in New York', rest assured that yours truly will be right up front during their performance at Reading in a few weeks time.

Gogol Bordello - Supertheory of Supereverything

- a.m.p.m.

Sunday, July 08, 2007

Remix Sunday: I Used To Dance With My Daddy


I was lucky enough to catch Datatrock at the Luminaire on Thursday night, and what a show it was. I could try to descibe the madness that ensued myself, but it's better for everyone if you just read these reviews. To top it all off, the crazy Norwegians handed out free I Used To Dance With My Daddy remix singles autographed by the band to everyone at the end of the show. Thanks, dudes.

Datarock - I Used To Dance With My Daddy (Para One Remix)

- a.m.p.m.

Saturday, July 07, 2007

It Never Ends


Bridging the Atlantic learned of Max Barbaria and DJ Vibe's The NeverEnding Story mixtape through Partytack! a few months ago and it is quality (kudos to Partytack!). It's interesting to note that these NYC boys mashup several of the same tracks here as those used in The Hood Internet's Mixtape, but with a different approach and style altogether. The duo has produced a handful of mixtapes based on themes such as The Adventures of Tintin, Bloodsport and A Better Tomorrow. Vibe & Barbaria have most recently released their summer 2007 mix Free To Be You And Me, which I definitely plan to get my hands on.

And by the way, The NeverEnding Story is a wicked movie. If you haven't seen it before, do yourself a favour and watch it as soon as possible.

Max Barbaria and DJ Vibe - The NeverEnding Story

- a.m.p.m.

Wednesday, July 04, 2007

Harakiri


Although I originally purchased The Ponys' new album Turn the Lights Out shortly following its release in March of this year, I hadn't really given it much of a chance until last month. It wasn't until a Monday morning's inevitable rush-hour Tube meltdown that I discovered that The Ponys are actually quite a solid band, and Turn the Lights Out is a great album.

You see, lengthy Tube delays often prompt me to deploy a tactic of listening to an album that I haven't dedicated as much attention to as I should, and this particular morning it was in The Ponys that I found salvation while trapped in an overcrowed, overheated District Line train going nowhere.

Oh sure, it's typical indie rock, but there's a nice 60's vibe to the album and pretty much every track is catchy as hell. First track 'Double Vision' and 'Harakiri' are standouts that deserve a listen. FYI: Hara-kiri is a Japanese colloquialism for Seppuku (a form of ritual suicide by disembowelment).


- a.m.p.m.

Sunday, July 01, 2007

Remix Sunday


Not so much a remix as an alternate take, this acoustic version of 'A Pillar of Salt' can be found on the Thermals' new Insound Tour Support CD, available at the paltry price of US$5.99. The limited edition rarities album is chock full of goodies: 4 KEXP session tracks, 6 live cuts and 3 acoustic takes.


- a.m.p.m.

Friday, June 29, 2007

† time


I’ve been rocking 'Phantom pt. I' since late ‘06, and it’s still absolutely ace. This track is ‘Da Funk’ for the ‘00s. Now that Justice's album † has officially dropped in Europe all heck has broken loose; yet another solid 2007 electro release set to rub shoulders with LCD Soundsystem, The Field, Lindstrom, and many others on ‘Best of’ end-of-year mixes.

Justice - Phantom pt. I
Justice – Waters of Nazareth

If you haven’t already, listen to the above tracks immediately, but then check out ‘Valentine’. It’s a little slice of 80’s electro space-pop complete with bouncing synths, throbbing bass, and typically gritty Justice production that would fit nicely into the Clockwork Orange soundtrack.

Justice – Valentine

If you're near London, England this weekend be sure to catch Justice at Wild in the Country with Simian Mobile Disco, Tiga, Hot Chip, Underworld and others. North Americans, expect † Stateside July 11th and undoubtedly on an Internet near you right now.

- a.m.p.m.

Thursday, June 28, 2007

Silence, please.


I've really been enjoying the track 'Silence' off the Field's album From Here We Go Sublime lately. Sure, the whole album is absolutely solid, but I can listen to all seven minutes and thirty-five seconds of this baby and still be yearning for more.

The Field - Silence

- a.m.p.m.

Tuesday, June 26, 2007

Admirable Love


As is the trend these days, the new Interpol album Our Love to Admire has leaked weeks before its intended July 10th official release. After just a few listens, it's clear that there are no weak tracks to be found here - first single 'Heinrich Maneuver' is classic high-energy Interpol, and bloggers are currently going bananas over album opener 'Pioneer to the Falls' and the introspective 'No I in Threesome'. However, in my opinon the real gems are to be found in the latter section of the album.

'Pace is the Trick' nods to the album's theme of predator vs. prey, love vs. lust. Soaring vocal tracks overlap, stating 'Now I select you, slow down and let you, see how I stun' while simultaeneously declaring 'I've seen love, and I follow the speed and the starlight'. The album's flawless production shines through particularly well on this one.

Penultimate track 'Wrecking Ball' is one of this year's best (thus far). Think 'NYC' with less New York and more Cares; while Interpol has always been sombre, the sad beauty here represents the band at their best. Regal horns, a swelling string section and Paul Banks' back-tracked vocals flitting from left to right close out the track in Arcade Fire-esque glory.

Do yourself a favour and pre-order your copy now or trot down to your local record store on July 10th. Make no mistake: this is one of the year's best albums.

Interpol - Pace is the Trick
Interpol - Wrecking Ball

As a side note, a series of menacing video clips featuring prey and predator in their natural habitat has been created to promote Our Love to Admire. Feast your eyes (and ears) on these two:





- a.m.p.m.

Sunday, June 24, 2007

Remix Sunday


One of my favourite tracks of late, Justice's 'D.A.N.C.E', has been remixed by one of my favourite knob-twiddlers, MSTRKRFT. Unsurprisingly, the results are quite good. The track begins with the familiar catchy schoolchildren sample in almost original form, but MSTRKRFT apply their patented remix process by speeding the BPMs up just a smidge, chopping up the vocal samples, and adding even more French electro guitar and synth noodling. It all builds up to a head that predictably (but satisfyingly) culminates with a breakdown two thirds of the way through, but even at almost 5 minutes this one seems to end a little too soon.

Justice - D.A.N.C.E. (MSTRKRFT Remix)


- a.m.p.m.

Wednesday, June 20, 2007

Gripping


A new Go! Team track has made its debut on BBC1, and after repeated listens I believe it's up to par with Thunder Lightning Strike. Can't wait for the new album to drop in a few months.

The Go! Team - Grip Like A Vice


- a.m.p.m.

Monday, June 18, 2007

Rosuto


During my visit to Japan in April I was surprised by how many people I ran into that liked the same music as I do. In fact, the Japanese music scene (especially in Tokyo) is incredible and most Japanese indie kids listen to the same stuff as we Westerners, plus some other really cool shit you've never heard of. I hope to stay in contact with many of the amazing people I met there (thank you Facebook) and discover more amazing Japanese tunes.

To put it in perspective, note how fantastic the lineups at the Fuji Rock Festival and Summer Sonic are this year. They're pretty much the two largest music festivals in Japan and from all accounts are nothing short of incredible. Fuji Rock alone features Deerhoof, Chromeo, Kings of Leon, Ratatat, Clap Your Hands Say Yeah, Justice, Peter Bjorn and John, Electrelane, Feist, Chemical Brothers, The Album Leaf, !!!, The Shins, Simian Mobile Disco, Battles, and heaps more. I mean, come on. If you're in Japan this summer, be there or be shikaku.

-Andrew M

Thursday, June 14, 2007

It's A Contender


Yes, The National's new album Boxer is tight. Yes, it'll likely be an album of the year. Yes, you can have a free song now.

The National - Slow Show


-Andrew M.

Tuesday, June 12, 2007

Boyz in the Hood


Bridging the Atlantic favourites The Hood Internet released their first mixtape album yesterday as a free download and it's a doozy. Fans of mashups will find plenty here to satisfy; the Timbaland/Hot Chip fusion 'Give It To My Boy From School' is particularly awesome. Do yourself a favour and grab it now - the price is right.

The Hood Internet - The Mixtape Volume One

-Andrew M

Thursday, June 07, 2007

June Tunes


Summer's almost here, again. It feels like I was just saying that at the end of April, but now I'm saying it again about the summer course on Bollywood cinema I'm taking for two and a half more weeks. That combined with a bi-weekly commute to the camp I work at make for a lot of traveling and iPod charging.

Here are some tracks that have been in high rotation recently:

Kanye West - Stronger (feat. Daft Punk)
The New Pornographers - My Rights Versus Yours
Handsome Furs - Dead+Rural
LCD Soundsystem - No Love Lost (Joy Division cover)
- LCD was solid-sounding live and played most of Sound of Silver along with a couple older tracks, like Movement, Yeah and Daft Punk (obviously).
Feist - Sea Lion Woman
Arcade Fire - Antichrist Television Blues
- I agree with Bowie that these guys are the best band in the world. I had a brutal seat but it was so worth it.

-Andrew W.

Saturday, June 02, 2007

Radical, dude


I should have posted something about Radical Face way back in March, but completely forgot to. Sorry about that. Radical Face is actually the solo effort of one Ben Cooper who still makes up half of another project called Electric President with pal Alex Kane. The song 'Welcome Home' from Radical Face's newly release album Ghost is one of my top tracks of 2007 so far due to its gentle but infectiously catchy melody, beautiful vocal harmonies and lush orchestration. 'Wrapped in Piano Strings' is another sweet track that shouldn't be missed.

Radical Face - Welcome Home

-Andrew M

Wednesday, May 30, 2007

Dan Deacon


The Bridging the Atlanic crew really likes Dan Deacon's album Spiderman of the Rings, and we think you will too. Tracks range from frenetic schizo electro bashers ('The Crystal Cat') to twinkly ambient noise-scapes ('Big Milk) to atmospheric synth-pop ('Pink Batman'). Plus it has neat cover art and the songs all have cool names. Deacon is now on tour and Ottawa kids can catch him at Zaphods on July 10th.

Dan Deacon - The Crystal Cat
Dan Deacon - Pink Batman

The video for 'The Crystal Cat', released a couple of weeks ago, is typical Deacon fare:


-Andrew M

Friday, May 25, 2007

Sticky-Icky


Lucky White Stripes fans on this side of the pond got an early taste of new track 'Icky Thump' last month when British radio station 83 XFM gave it spin, and I for one was hooked. It's a little heavier than the average Stripes song, but you won't hear me complaining. It's been in my iPod's heavy rotation playlist for the last few weeks; those of you who haven't heard it yet should give it a listen.

The album (also titled Icky Thump) won't be available until June 19th, but the 'Icky Thump' single can now be purchased from the iTunes store and the video was released today.


The White Stripes - Icky Thump

-Andrew M

Sunday, May 20, 2007

Remix Sunday

Another great 2006 release, Hot Chip's The Warning made its way into more than a few 'best of' lists last year, and with good reason. On an album of consistently strong tracks, 'And I Was A Boy From School' was a standout; more of an alternate version than a remix, the gentle organic instrumentation of the acoustic version allows the (excellent) lyrics to be more easily heard and appreciated.

Hot Chip - And I Was A Boy From School
Hot Chip - And I Was A Boy From School (Acoustic Version)

-Andrew M

Friday, May 18, 2007

Beach Bears


If Brian Wilson had been born in 1982 instead of 1942, he probably would have released music that sounds a lot like Panda Bear. Although the Bear's new album Person Pitch is a little out there for some people, I'm totally loving it and really picking up a Beach Boys vibe. It's all vocal harmonies, lots of reverb and slick pop production. I think Brian would be proud.

Panda Bear - Bros (edit)
Panda Bear - Comfy in Nautica

-Andrew M.

Tuesday, May 15, 2007

Sore Ankles



Brighton outfit Fijiya and Miyagi have released the video for their single 'Ankle Injuries' from recent album Transparent Things and it's a looker. Catch them this summer as they do the festival circuit and make stops in Montreal and Toronto July 10th and 11th respectively.

-Andrew M

Sunday, May 13, 2007

Remix Sunday


Australia's Van She have been popping out some tight remixes lately. Last month Bridging the Atlantic brought you a vocal re-work of Dragonette's 'I Get Around', and now we present this Kitsune Maison Compilation 3 electro-tastic remix of the Klaxons hit 'Gravity Rainbow' that sounds absolutely nothing like the original (in a good way). Keep your eyes on these guys.

Klaxons - Gravity's Rainbow

Klaxons - Gravity's Rainbow (Van She Remix)

-Andrew M

Friday, May 11, 2007

Shapes and Sizes


Shapes and Sizes are an incredible Canadian band you didn't even know existed. They're from Victoria, B.C. and they sound kinda like Islands and kinda like Built to Spill. But different.

Shapes and Sizes - Island's Gone Bad

Shapes and Sizes - Wilderness

-Andrew M.

Wednesday, May 09, 2007

This is the Dream of Owen Pallett


Last month I had the pleasure of seeing my first full set by the guy who calls himself Final Fantasy. Actually one Owen Pallett from Toronto, in the live setting Final Fantasy is just a violin and a looping pedal. This simple musical formula, along with his excellent albums which feature more varied production, has created one of Canada's most recognized and acclaimed artists. Last year Pallett won Canada's inaugural Polaris Prize for his sophomore album, He Poos Clouds, and he has contributed string arrangements to the likes of Arcade Fire, Fucked Up and DFA1979.

Final Fantasy - Many Lives -> 49 MP
Final Fantasy - This is the Dream of (Win & Regine) (live)

-Andrew W

Sunday, May 06, 2007

Remix Sunday


Alan Braxe & Fred Falke have combined for some of the most bumpin' remixes in the past year or so, including their incredible renovations of Kelis' "Bossy" and DFA1979's "Black History Month." Though this Test Icicles remix dropped in '06, I doubt enough people have been exposed to its 80's synth lines and fuzzed out bassline. The predominate melody sounds as if its main inspiration was a Simple Minds track used to flesh out a Molly Ringwald teen romance, but luckily being paired with these unabashed whisky-hoarse lyrics gives the song a fresher aesthetic. All in all, this is certainly a banger for the summer, if not last summer, I think I'm much delayed in getting this up on the ol' interweb.


-Brad

Tuesday, May 01, 2007

May Grab Bag


May marks the start of the summer for the University crowd, and with the new season comes new opportunities for work, belligerence, patio surfing, and most importantly, the outdoor festival. Ottawa welcomes back Bluesfest and the Capital Idea! Festival, among others, bringing to town massive acts like Bob Dylan, Kanye West, and The White Stripes, and lesser known but incredibly potent bands such as Sunset Rubdown, Girl Talk, Born Ruffians, and Rock Plaza Central. I'll have to miss the aforementioned fests due to a cross-Canada trek, but those staying in town or rolling through should not miss these highly concentrated events. Bluesfest, offers a diverse collection of authentic blues and soul acts as well as jazz, indie, punk, and straight up rock and roll. Capital Idea!, running June 21st-30th, remains more indie-hipster-centric, but should not intimidate those unfamiliar with the billed bands. For those sitting on the fence, check out some material from the artists involved:

Capital Idea!
Bluesfest
Jokko (myspace) **Senegalese afro-beat type stuff, very chill.
and don't miss Kanye, Dylan, Michael Franti, Alexisonfire, The Hilotrons, Ohbijou...
and a couple random songs that may or may not improve your day:
-Brad